Kamis, 27 Januari 2011

[C872.Ebook] Ebook Download Collaborative Statistics, by Barbara Illowsky, Susan Dean

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Collaborative Statistics, by Barbara Illowsky, Susan Dean

Book by Illowsky, Barbara, Dean, Susan

  • Sales Rank: #249752 in Books
  • Brand: Brand: Connexions
  • Published on: 2011
  • Number of items: 1
  • Binding: Paperback
  • 699 pages
Features
  • Used Book in Good Condition

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0 of 1 people found the following review helpful.
Five Stars
By Lillian
great

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Rabu, 26 Januari 2011

[V299.Ebook] Ebook Free Quality Toolbox, by Nancy R. Tague

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Quality Toolbox, by Nancy R. Tague

Book by Nancy R. Tague

  • Sales Rank: #187246 in Books
  • Brand: Brand: ASQ Quality Press
  • Published on: 2005-03-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 7.00" w x 1.50" l, 2.60 pounds
  • Binding: Paperback
  • 558 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

0 of 0 people found the following review helpful.
Well...
By Primalpenguin
It is a book

1 of 1 people found the following review helpful.
quality skills
By Amazon Customer
I got this book as part of a college course i was doing, but in reality it is so good it has helped me out in my job. There are times in our jobs when we dont get a chance to do new things and this book actually makes it very simple to introduce new initiatives. I would highly recommend this book to anyone considering a career in quality mangement.

2 of 2 people found the following review helpful.
Lots of quality tools in this book.
By A. Wozniak
This is an excellent resource book. The author wastes no words. This book provides me with the quick references that I need. Its the best single source book on quality procedures (tools) that I have come across.

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Kamis, 20 Januari 2011

[W393.Ebook] Download Ebook Because Origami: One sheet geometric models, by Jorge Jaramillo

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Because Origami: One sheet geometric models, by Jorge Jaramillo

This book contains diagrams for 20 models created by Jorge Jaramillo that will lead you step by step to the finished model, starting from a square or rectangle; it will show you how to produce the regular polygon from which every model is made. Models range from simple to complex and previous experience in origami is required. All the models are of the geometric kind, a genre for which very few books have been published. It also contains photos of the finished models to guide you with the very few shaping moves that models require.

  • Sales Rank: #543059 in Books
  • Published on: 2015-10-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .19" w x 8.50" l, .61 pounds
  • Binding: Paperback
  • 78 pages

About the Author
Jorge Jaramillo is an electronic engineer from Colombia who works as a Loss Control Engineer in the insurance market and he's been doing so for over 15 years. Jorge did origami as a kid but stopped, thinking it was a dead end, since he didn’t know there were more models than the few he knew. Many years later he found Peter Engel’s 8 Point Star on the desk of a workmate and that day he was hooked again with origami, when he learnt there were plenty of models, books and all kinds of information. At first Jorge tried to do figurative origami but he soon learnt his skills were better fitted for geometric models. He did lots of tessellations and one sheet geometric models and soon he started created some simple ones, mostly variations on existing models. Jorge has created over 70 models and his first book “Because Origami Vol. 1” contains 20 of his best ones. Jorge is married and has no kids.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Beautifully made book with easy to follow directions
By Engineer
A beautifully made book with uncommon volumetric origami models and easy to follow instructions. I especially liked the Morley cup and the gallery of models made by international origammists.

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Rabu, 19 Januari 2011

[X888.Ebook] Download Introduction to the Structure of Matter: A Course in Modern Physics, by John J. Brehm, William J. Mullin

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Introduction to the Structure of Matter: A Course in Modern Physics, by John J. Brehm, William J. Mullin

A first course in two of the 20th century's most exciting contributions to physics: special relativity and quantum theory. Historical material is incorporated into the exposition. Coverage is broad and deep, offering the instructor flexibility in presentation. Nearly every section contains at least one illustrative example (with all calculations), and each chapter has a wide selection of problems. Topics covered include relativistic dynamics, quantum mechanics, parity, quantum statistical physics, the nuclear shell model, fission, fusion, color and the strong interaction, gauge symmetries, and grand unification.

  • Sales Rank: #1822768 in Books
  • Published on: 1989-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.18" h x 2.06" w x 7.24" l, 4.00 pounds
  • Binding: Hardcover
  • 960 pages

Review
Solutions Manual available. -- The publisher, John Wiley & Sons

From the Publisher
A first course in two of the 20th century's most exciting contributions to physics: special relativity and quantum theory. Historical material is incorporated into the exposition. Coverage is broad and deep, offering the instructor flexibility in presentation. Nearly every section contains at least one illustrative example (with all calculations), and each chapter has a wide selection of problems. Topics covered include relativistic dynamics, quantum mechanics, parity, quantum statistical physics, the nuclear shell model, fission, fusion, color and the strong interaction, gauge symmetries, and grand unification.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Good all-round text on modern physics
By Newton Ooi
This hefty textbook provides a solid introduction to the major fields of modern physics; i.e. physics in the 20th century. These topics are relativity, the structure of atoms, quantum mechanics, and nuclear physics. The text is appropriate for physics majors in the 3rd or 4th year of college, and is also a good book for students of materials science who are learning modern physics as an elective. The book is comparatively low on math and high in verbosity compared to other physics texts of the same subject matter; hence making it more accessible to non-physicists like engineers, chemists, etc... Each chapter comes complete with homework problems, and in this reviewer's experience, they are well done and error-free. I do not recommend this book for a one-semester class, it covers enough subject matter for 2-3 classes in modern physics - quantum mechanics. Overall, a good book to learn about modern physics and its ties with materials science.

2 of 2 people found the following review helpful.
Good Value
By Larry Musa
This is a junior or senior level text on essentially all of modern physics. Every topic is well explained and at a high level. It is short of a graduate text, but very good in terms of physics rather than mathematics. The main difference being ,I think, is a graduate text uses more advanced math (calculus of variations, bras and kets,group theory, etc) whereas this book only uses partial differential equations . However, the PDEs do suffice to accurately derive the results, and the student should certainly know both approaches.
Numerical solutions are given to about half of the chapters problems.
Additionally, the authors have went to the trouble of tracing the origin and development of the subjects, and explaining the motivations and difficulties that the pioneers faced, when possible.
It is true there is too much material to be covered in a single year...but I think this just adds to the value since it can be used as a reference as well as text.

2 of 2 people found the following review helpful.
Clear, detailed account of modern physics
By A Customer
This book does cover a lot of information that it seems overwhelming. However, this is only because the authors explain the concepts "all the way". For example, the discussion on wave packets includes the explanation of phase (an excellent diagram for learning how to visualize phase and group velocity) plus some details on complex analysis. Basically I find the descriptions of experiments, concepts and math very clear and detailed.
I would say that the verbosity of this book is excellent for people who like to get all the details clear. Readers with much faster brain processors, those who can't wait to learn more of QM or those who understands much of the fundamental physics and math behind QM might be bored by this book.
Summary:
Pros: 1. Clear Explanations 2. attention to thorough and detailed explanation 3. some excellent diagrams!!!!
Cons: 1. Too verbose for some 2. rather heavy to carry around!!!

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Selasa, 18 Januari 2011

[U648.Ebook] Download PDF Universal Methods of Design: 100 Ways to Research Complex Problems, Develop Innovative Ideas, and Design Effective Solutions, by Bruce Han

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"Universal Methods of Design is an immensely useful survey of research and design methods used by today's top practitioners, and will serve as a crucial reference for any designer grappling with really big problems. This book has a place on every designer's bookshelf, including yours!" —David Sherwin, Principal Designer at frog and author of Creative Workshop: 80 Challenges to Sharpen Your Design Skills

"Universal Methods of Design is a landmark method book for the field of design. This tidy text compiles and summarizes 100 of the most widely applicable and effective methods of design—research, analysis, and ideation—the methods that every graduate of a design program should know, and every professional designer should employ. Methods are concisely presented, accompanied by information about the origin of the technique, key research supporting the method, and visual examples. Want to know about Card Sorting, or the Elito Method? What about Think-Aloud Protocols? This book has them all and more in readily digestible form. The authors have taken away our excuse for not using the right method for the job, and in so doing have elevated its readers and the field of design. UMOD is an essential resource for designers of all levels and specializations, and should be one of the go-to reference tools found in every designer’s toolbox." —William Lidwell, author of Universal Principles of Design, Lecturer of Industrial Design, University of Houston

This comprehensive reference provides a thorough and critical presentation of 100 research methods, synthesis/analysis techniques, and research deliverables for human centered design, delivered in a concise and accessible format perfect for designers, educators, and students. Whether research is already an integral part of a practice or curriculum, or whether it has been unfortunately avoided due to perceived limitations of time, knowledge, or resources, Universal Methods of Design serves as an invaluable compendium of methods that can be easily referenced and utilized by cross-disciplinary teams in nearly any design project.

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- Dismantles the myth that user research methods are complicated, expensive, and time-consuming

- Creates a shared meaning for cross-disciplinary design teams

- Illustrates methods with compelling visualizations and case studies

- Characterizes each method at a glance

- Indicates when methods are best employed to help prioritize appropriate design research strategies

Universal Methods of Design distills each method down to its most powerful essence, in a format that will help design teams select and implement the most credible research methods best suited to their design culture within the constraints of their projects.

  • Sales Rank: #14187 in Books
  • Brand: Rockport Publishers
  • Published on: 2012-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.25" h x .75" w x 8.75" l, 2.16 pounds
  • Binding: Hardcover
  • 208 pages

About the Author
Bruce Hanington is an associate professor, director of graduate studies, and former program chair of industrial design in the School of Design at Carnegie Mellon University in Pittsburgh, Pennsylvania. He has dedicated his teaching and research to methods and practices for human centered design, with an emphasis on design ethnography, participatory design, and the meaning of form in context. He has consulted on design projects with GE Appliance and Johnson and Johnson, and his work has been published in Design Issues, The Design Journal, and Interactions, with chapters in Designing Inclusive Futures and Design and Emotion: The Experience of Everyday Things.Bella Martin is a design practitioner and independent consultant in Atlanta, Georgia, where she brings her expertise for design research methods to companies who are new to user-centered design but eager to give their users a voice in the design process. She holds a Master of Design in Communication Planning and Information Design from Carnegie Mellon University, where she first began her ongoing work in visualizing user-centered research methods.

Bella Martin is a design practitioner and independent consultant in Atlanta, Georgia, where she brings her expertise for design research methods to companies who are new to user-centered design but eager to give their users a voice in the design process. She holds a Master of Design in Communication Planning and Information Design from Carnegie Mellon University, where she first began her ongoing work in visualizing user-centered research methods.

Most helpful customer reviews

48 of 48 people found the following review helpful.
Indispensable
By Arjun Dhillon
As a user experience designer with 10 years of experience and clients like National Geographic, Stephen Hawking, Best Buy, Bon Iver, and Harvard University, I have experience with nearly every method described in this book. Yet when I pack up to go to work or consulting gigs or client meetings or lectures or workshops, this is the first book that goes into my bag before I leave home. When I'm not carrying it with me it is usually still close at hand. There are many more inspiring, industry-changing texts on the market, but Universal Methods of Design is simply the most valuable book in my day-to-day practice.

I thought of saying that this book is to user-centered designers what Strunk's Elements of Style is to writers, but the analogy isn't quite right. Writers generally know the best practices for semicolon usage and unordered list formatting. In contrast, most people that claim the title "user experience designer" still spend the majority of their time wireframing or designing in Photoshop. It's really not your fault, it is ours; the UX community has done very little to help educate entering UX professionals, so you have likely never been exposed to most of the methods detailed in this text. You don't know how powerful a simple technique like Affinity Mapping can be, or how the investment in LEGO's Serious Play products can yield a hundred-fold return, or how an absurd hour spent writing love letters and hate letters to yourself can significantly improve a product. But for the aspiring UX designer, this book is an essential introduction to the methods used in professional experience design projects.

For those of us that have experience with these design methods: we all have dealt with those challenging projects, difficult stakeholders, or unique product requirements that seem to exhaust our standard design toolbox. Those situations where our usual methods for scoping, defining, researching, modeling, prototyping, producing, and testing seem inadequate. In these situations, there is no better reference than what Hanington and Martin have put together in this book. Buy it, and if you are underwhelmed then I'll buy you a drink and let you hassle me about it when I see you at the next conference.

41 of 42 people found the following review helpful.
I wanted to love it
By Bruce
Format and layout of this text is attractive, although I'm not sure why designers would choose to use gray 10-point sans serif font; pretty hard on the eyes.

My main complaint is that the writing style is (in my view) obscure. For example, "Prototyping in general is the tangible representation of artifacts at various levels of resolution, for development and testing of ideas within the design teams and with clients and users. However, whereas many prototypes only demand passive viewing for concept communication and review, experience prototyping fosters active participation to encounter a live experience with products, systems, services, or spaces."

Writing a technical book like this is a lot of work and I don't mean to take a cheap shot. It's just that the book would benefit greatly from some aggressive editing. The topic and ideas presented are interesting, just not very accessible.

17 of 18 people found the following review helpful.
A Current, Comprehensive Survey of Best Practices in Design Research Methodology
By Maneki Neko
This is a reference book and a survey book, of one hundred current methods in design research methodology, for the fitting of a product, service or system to a user, client or customer population. The survey and the text are the product of the superb learning and research environment for these methods at Carnegie Mellon University.

Methods are listed in alphabetic order. Each is given a two page treatment; one page of text and another of figures and diagram. URLs, standard reference sources are conveniently listed on the same page, and not in an index at the back of the text. The treatment of these diverse methods in identical format makes a cross comparison of methods simple and fast. Further, an indication is given (an index of 1 through 5) of whether the method is useful at the early or the late phases of the research process so that methods can be compared within phase-catagories.

The format and page layout in the hard-copy version are such that moving between methods, and cross comparing methods will be easier in the paper format than in the electronic. At the bargain price of 24 USD this is both an affordable and very complete aid to current best practices in design survey methodology.

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[X531.Ebook] Fee Download A Clinical Guide to Blending Liquid Herbs: Herbal Formulations for the Individual Patient, 1e, by Kerry Bone MCPP FNHAA FNIMH DipPhyto

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A Clinical Guide to Blending Liquid Herbs: Herbal Formulations for the Individual Patient, 1e, by Kerry Bone MCPP  FNHAA  FNIMH  DipPhyto

This clinical guide and practical reference is ideal for those who use and combine liquid herbal remedies for the individual needs of the patient. With three introductory chapters, 125 monographs, and various glossaries and appendices, it covers the fundamental concepts of using liquid herbals, including how the remedies are made, quality issues, and dosage guidelines. The monographs include full prescribing information that covers actions, indications, contraindications, warnings and precautions, interactions, side effects, dosage, traditional usage, pharmacological research, clinical studies, and full references.

  • Focuses solely on liquid herbal preparations ― making it a must-have resource and the only book of its kind.
  • Covers approximately 125 herb profiles in detail.
  • Offers the widest range of research-backed information currently available on herbs.
  • Begins with basic principles to give practitioners confidence in the accuracy and precision of their prescriptions.
  • Written by one of the leading names in herbal medicine.
  • Clinically relevant with quick access to dosage information, contraindications, and more.

  • Sales Rank: #634810 in Books
  • Published on: 2003-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.44" h x .94" w x 7.46" l, 2.17 pounds
  • Binding: Hardcover
  • 544 pages

About the Author
Kerry Bone was an experienced research and industrial chemist before studying herbal medicine in the UK, where he graduated from the full-time course at the School of Phytotherapy. He is currently a practising herbalist of 15 years' experience, Head of research and Development at MediHerb (Australia's largest manufacturer of high quality herbal extracts) and Principal of the Australian College of Phytotherapy. His research interests include natural insecticide products.

Kerry's technical articles, such as the MediHerbProfessional Review, are regularly published in Australia and overseas. His standing as an expert herbalist was acknowledged by his appointment from 1990to 1997 to the Traditional Medicines Evaluation Committee of the TherapeuticGoods Administration (equivalent to the FDA). He is currently Chair of the Herbal Task Force, a government-industry initiative.

Professional association memberships include; Fellow, National Institute of Medical Herbalists; Fellow, national herbalists Association of Australia; member, College of Practitioners of Phytotherapy.

He is co-author with SimonMills of the successful “Principles and Practice of Phytotherapy” published under the CL imprint, and co-author with Simon Mills of the forthcoming “Herbal Medicine Safety” book to be published in summer 2003.

Most helpful customer reviews

7 of 7 people found the following review helpful.
Great book! My favorite 'quick reference' source on herbs.
By Lindar
The information in this book is cutting-edge and is fully referenced for health care professionals. It should also be easy for 'Herbal Moms' to use too because it has several appendixes listing herbs by their actions and another listing the actions and what herbs have those properties. It is designed so it is easy to look something up and get a quick answer on what sort of conditions to use a certain herb for, and if there are any cautions or interactions to know about. The author does go into detail about how to create custom formula combinations of several herbs and how much of each to put in using the therapeutic range chart, which is pretty advanced stuff!

1 of 1 people found the following review helpful.
Sublime
By harold jitschak bueno de mesquita
Does not need my recommendations, highly professional.
A huge amount of information from one who knows!
A pity that only liquid extracts are used-recommended and not the far more available tinctures

1 of 1 people found the following review helpful.
affordable
By Ayu Igarashi
cheaper than Australia even this book was written in Australia! this book is good for writing assignment of herbal medicine. lots of scientific evidence.

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Jumat, 14 Januari 2011

[Q557.Ebook] Download Aconcagua: A Climbing Guide, by R. J. Secor

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Aconcagua: A Climbing Guide, by R. J. Secor

This updated guide discusses equipment, safety, & conservation, and details popular and less-traveled routes of the Western hemisphere's highest peak.

  • Sales Rank: #5351336 in Books
  • Brand: Brand: Mountaineers Books
  • Published on: 1994-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 5.50" w x .50" l,
  • Binding: Paperback
  • 144 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

25 of 26 people found the following review helpful.
Very useful guide
By mjones@mba1999.hbs.edu
A useful primer for those considering climbing Aconcagua. Describes routes of many different difficulty levels. If you are planning on doing the normal route, most of the book will be irrelevant since it describes more difficult and technical approaches. However, even the introduction and normal route description are valuable references. Especially the sections on health and safety concerns. Hopefully there will be a new edition for 1999 since I understand that in 1999-2000, Argentine regulations will require permits to purchased in Mendoza IN PERSON by those climbing -- a change from the current practice.

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Senin, 10 Januari 2011

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  • Sales Rank: #554863 in eBooks
  • Published on: 2015-07-02
  • Released on: 2015-07-02
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Leveraging yourself is always a great way to make a larger income
By Marcy
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Romancing the Folk: Public Memory and American Roots Music (Cultural Studies of the United States), by Benjamin Filene

In American music, the notion of "roots" has been a powerful refrain, but just what constitutes our true musical traditions has often been a matter of debate. As Benjamin Filene reveals, a number of competing visions of America's musical past have vied for influence over the public imagination in this century.

Filene builds his story around a fascinating group of characters--folklorists, record company executives, producers, radio programmers, and publicists--who acted as middlemen between folk and popular culture. These cultural brokers "discovered" folk musicians, recorded them, and promoted them. In the process, Filene argues, they shaped mainstream audiences' understanding of what was "authentic" roots music.

Filene moves beyond the usual boundaries of folk music to consider a wide range of performers who drew on or were drawn into the canon of American roots music--from Lead Belly and Woody Guthrie, to Muddy Waters and Willie Dixon, to Pete Seeger and Bob Dylan. Challenging traditional accounts that would confine folk music revivalism to the 1930s and 1960s, he argues instead that the desire to preserve and popularize America's musical heritage is a powerful current that has run throughout this century's culture and continues to flow today.

  • Sales Rank: #660000 in Books
  • Published on: 2000-06-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.26" h x .87" w x 5.78" l, 1.01 pounds
  • Binding: Paperback
  • 344 pages

From Library Journal
For the first half of this country!s existence, our folk song heritage could be traced directly to British peasant culture. Early in the 20th century, musicologists began taking note of such distinctly American musical genres as the Negro spiritual and the cowboy song. When recording became popular in the 1920s, these two styles, now known as race and hillbilly music, established themselves as surprisingly profitable forms of musical expression. In the early 1930s John Lomax, whose 1910 Cowboy Songs and Other Ballads was a folklorist!s staple, traveled more than 30,000 miles with a 350 Dictaphone built into the backseat of his car to record our indigenous music. These recordings featured the likes of Lead Belly, Muddy Waters, and Woody Guthrie and laid the groundwork for each succeeding musical generation. Here, Filene tells the story of the musicologists who preserved our indigenous music and the producers, radio programmers, and publicists who made it available to mainstream audiences. A public historian at the Minnesota Historical Society, he has researched such sources as the Library of Congress and the Smithsonian Institute to produce a learned and lively look at the development of our national music. Much of the territory covered here is overlooked in books on folk music, making this a reasonable purchase despite the steep hardcover price."Dan Bogey, Clearfield Cty. P.L. Federation, Curwensville, PA
Copyright 2000 Reed Business Information, Inc.

Review
"Romancing the Folk" proves a fascinating history of an idea and a shape-shifting body of song.

"New York Times Book Review"

Much of the territory covered here is overlooked in books on folk music.

"Library Journal"

Filene's book is smart and careful and should gain a wide audience.

"Journal of American History"

A fascinating history of the shifting notions of what constitutes American folk music.

"New York Times Book Review"

An important work that accurately places the idea of 'folk' and 'roots' music into a realistic context.

"Creative Loafing"

Review
Filene's book is smart and careful and should gain a wide audience.--Journal of American History



Benjamin Filene's fascinating study of the emergence of the idea of an American 'roots music,' and the canonization of its iconic performers, is a lively and engaging contribution to this literature. . . . Appalachian scholars will enjoy discussions that range from the pioneering ballad collecting of Francis James Child and Cecil Sharp to the recent role of Archie Green in the creation of the Smithsonian's American Folklife Center and the NEH's Folk Arts Program.--Journal of Appalachian Studies



A learned and lively look at the development of our national music. Much of the territory covered here is overlooked in books on folk music.--Library Journal



An engaging analysis of the varied interpretations of roots or vernacular music in the 20th century.--Choice



A fascinating history of the shifting notions of what constitutes American folk music.--New York Times Book Review



An important work that accurately places the idea of 'folk' and 'roots' music into a realistic context. While copiously documented and thoroughly researched, this is no stuffy academic tract. Rather, Filene's engaging style makes this a book that will be eagerly devoured by anyone with an interest in the development of American popular music.--Creative Loafing



Romancing the Folk proves a fascinating history of an idea and a shape-shifting body of song. . . . The folklorists, academics, bureaucrats and entrepreneurs who dominate [this] story are colorful characters, and they are joined by artists who inspire Filene to critical heights few historians approach.--New York Times Book Review



Romancing the Folk explores a cultural phenomenon--the discovery of the idea of an American folk music tradition and of the consequent attempts to redefine and canonize those musicians who seemed to best represent it--that heretofore has been described in only bits and pieces. Filene is the first scholar who has discussed the whole broad field of American folk music from such a perspective. He argues convincingly, with a clear and direct writing style, that folk music has never come to us in an unmediated form.--Bill Malone, author of Singing Cowboys and Musical Mountaineers: Southern Culture and the Roots of Country Music

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14 of 15 people found the following review helpful.
Clamoring for more from Filene
By J. Christmas
This is a historically thorough yet immensely enjoyable work. Filene's take on "roots music" is refreshing--honest and free of gushing hyperbole; just cynical enough without ever becoming acerbic.
The stories Filene chooses to tell are illuminating and often funny--Leonard Chess faking his way through Blues hitmaking; Leadbelly being marketed as a country bumpkin in overalls when he preferred to wear suits.
There are so many more stories to be told, though--musicians to discuss, angles of the folk boom to expand, that I wish Filene would write more--perhaps another volume.

22 of 25 people found the following review helpful.
Strong and Engaging, and Very Readable
By Christopher W. Chase
Benjamin Filene's account of the origins of the category of "American roots music" is inexorably aimed at peeling away discursive layers within that very term itself to reveal the historical continuities and disjunctures at the heart of it. As Filene puts it: "What makes the formation of America's folk canon so fascinating, though, is that just as isolated cultures became harder to define and locate in industrialized America. the notions of musical purity and primitivism took on enhanced value, even in avowedly commercial music. Twentieth-century Americans have been consistently searching for the latest incarnation of 'old-time' and 'authentic' music." And Filene shows deftly how these categories are heavily inflected with racial and class issues.

But Filene's work begins much earlier, with the early 19th century effort in the US and later in the UK to collect and collate British folk song texts and sometimes the tunes that went this them. He demonstrates that this effort was thoroughly infused with romanticism--an attempt to record and preserve a "better" culture before capitalism, greed, irreligion and science came along. This grew from the German philosophical fascination with the 'Kultur des Volkes,' and into an impulse to forge a British national culture based on the English peasantry---even sometimes as found in the American Appalachian population (!)---and of course, an undertone, made explicit here and there--of racial purity.

This is especially significant in that popular interest in anything like folk song appears to have begun for African-American forms before Anglo ones--but was apparently stopped by the mythic valorization of whites as true folk. It seems that Anglo songs edged out other types as the basis of this new mythic canon that was forming, even as the Fisk singers and blackface minstrelsy became more popular in the 1870's. In fact, Filene argues convincingly that the way in which Black folk songs (spirituals) were collated preserved an idea of Black passivity and the exotic gaze in whites. Of course blackface minstrel performances reinforced this. The only other challenge was Lomax's collection of cowboy ballads, which he unsuccessfully tried to peg to the spirit of English rural culture. In the 1920's attempts at using a more racially and geographically inclusive cultural building with rural songs, white, black, and latino, were undertaken by poet Carl Sandburg.

Most of the book deals with the legacy of the cult of authenticity created and shaped by the Lomaxes from their field recordings and artist promotion. Their zeal for collecting and promoting their ideas of "true folk singers" cannot be underestimated, and in doing so, they shifted the canon away from whiteness, or so it seemed. Filene's account of The Lomaxes and Lead Belly perhaps best demonstrates the role of exoticism in producing authentic "American"ness at that particular time. The tours undertaken by the Lomaxes emphasize Lead Belly's virtuosity and expansive knowledge, but simultaneously construct him as a primitive, exotic "Heart of Darkness" figure that lay at the core of authentic American folk-song, and by extension lay at the periphery of contemporary, decadent, urban white Modernist America. When they started to get not only recording techonology, but official government and Library of Congress support, that added an entire new dimension of national culture building, as well as "documentary"-style authoritativeness to their work--as they literally began constructing a usable musical past for the United States.

In fact, Filene's analysis fits perfectly with Jacques Attali's theories on music, insofar as Lead Belly's music could be said to be a constructed and promoted by Lomax as a sublimated form of `animal nature' (ancestor) and racialized `primitive violence' (demon), exhibited in spectacle for the consumption of middle-brow and high-brow white audiences. Filene connects this racialized legacy of "authenticity" with the commonly found ideology that "roots" musicians even today are expected to be overly emotive, premodern, and non-commercial. In other words, they must perform "Otherness" for their predominantly white, bourgeois audiences in order to be authentic. To be fair, this impulse waxed strong in 1930's American. James Agee and Walker Evans. Steinbeck's "Grapes of Wrath," a number of popular magazines--, all played into this impulse. To be popular though, you couldn't be too successful, or you might compromise your authenticity. Sound familiar? The paradox of Roots music and Leftist politics, in the 1930's, both together in the Popular Front.

Moreover, it is perhaps speculative, but nonetheless provocative, to note that Lead Belly's popularity took place in the wane of the Harlem Renaissance (and into the 1940's), and quite possibly signaled for white consumption a sign of (or the `return' of) a more racialized `authentic n*ggerness' inscribed in black bodies, in contrast to the earlier "New Negro" and the later post-WWII racial agitators. For future artists, like Muddy Waters, the legacy of transformation took more commercial, but similar sets of turns. As Waters grew in popularity, his music shifted from Mississippi delta through country inflection--from acoustic to electric, in an attempt to adopt to urban styles...and then pressure to go back again to his more "primitive" beginnings for sales purposes. From the influence of Lomax to the commercial propagation of Leonard Chess and Willie Dixon, Filene follows Waters through his career to see the larger effect of "roots" discourse upon him and perceptions of him. We get an especially big eyeful when Filene takes extra time out to analyze Willie Dixon's "Hoochie Coochie Man", just one of many popular songs invoking pagan, magical, feral and occult tropes to signify both danger and desire for the listening subject. Waters influence on the Rolling Stones and The Beatles is noted, and we begin to see how folk constructions of authenticity gain a larger influence in Rock and Roll, even as black artists in that genre fail to catch fire with white youth as strongly as later white rock musicians did--or as even strongly as white folk artists like Bob Dylan and Pete Seeger.

Later parts of the work demonstrate the emergence of folk institutionalism in Washington, from the Federal Writers Project, the Resettlement Administration, and the Library of Congress all contributing to this effort within the framework of New Deal politics, and the growing idea that folklore always has a functional element to play in a given society. Rather then "vestigial," folklore becomes "germinal." The search for musical folklore takes these institutions to the city for perhaps the first time in "roots" discourse. And also to war, as government agencies came under increasing pressure to turn all aspects of policy towards the effort in WWII. At the same time, a push to professionalize folklore in academia gained ground as well--graduate programs in folklore were established, thus created a contentious political history for every field of culture impacted by contemporary folklore studies, no less than in American Studies. Richard M. Dorson, an early Americanist, was also an early "Folklore" specialist, and worked tirelessly to construct methodologies for subsequent use. Lomax, too, became an academic--an early methodologist in 1960's ethnomusicology. And with the establishment of Folklore in the Academy of Letters, the annual Folk Festival is born, largely again, through the aegis of the Smithsonian---yet another example of government sponsorship and cultivation of Kulturvolk as national basis, continuing to the present day. The modern day so-called "folk revival" is born as well through the efforts of Pete Seeger, who carried on the functionalist tradition of the Lomaxes in his efforts. Folk cultures have literally become American cultures--in the sense that they may even suck all the air out of that category, leaving little for other than these constructed myths.

I appreciate the way that Filene goes about his project, using a combination of comparative visual analysis of photographs, and album covers, as well as musical and lyrical analysis. His willingness to take into account close readings of song collections (like 'American Ballads', 'Our Singing Country', and 'American Songbag'), and productions of early government/corporate partnerships in radio programming (such as "We Hold These Truths") speak to the power of his interdisciplinary method. And in uncovering more than just two periods of attention to folk music (the 1930s and the 1960s) he demonstrates a longer, more resilient undercurrent of American modernity and its self-renewal.

27 of 30 people found the following review helpful.
The Roots Behind Roots Music
By A Customer
Most books about popular music fall into one of two categories. You have your pretentious rock n' roll critic who writes in impenetrable and cryptic prose (Hello Anthony DeCurtis and Robert Christgau) or you have purely academic writings that miss the heart of what is often music felt at a gut level. Then along comes Benjamin Filene. Filene offers up a brilliant discussion of the ways in which folk music became a part of our American consciousness. Profiling the careers of such artists as Leadbelly, Muddy Waters, Pete Seeger and Bob Dylan, "Romancing the Folk" presents an extremely lively, readable and well thought out discussion of the way folk music was presented to the American public and ultimately accepted as a valid art form in its own right. In doing so, Filene breaks from the stale world of traditional popular music writing and gives you a fine read while you listen to "Blood on the Tracks," "Goodnight Irene," "Hoochie Coochie Man" or "Talking Union."

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[W616.Ebook] Ebook William Faulkner: An Annotated Bibliography of Criticism Since 1988, by John E. Bassett

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William Faulkner: An Annotated Bibliography of Criticism Since 1988, by John E. Bassett

Considered one of the great American authors of the 20th century, William Faulkner (1897-1962) produced such enduring novels as The Sound and the Fury, Light in August, and As I Lay Dying, as well as many short stories. His works continue to be a source of interest to scholars and students of literature, and the immense amount of criticism about the Nobel-prize winner continues to grow. Following his book Faulkner in the Eighties (Scarecrow, 1991) and two previous volumes published in 1972 and 1983, John E. Bassett provides a comprehensive, annotated listing of commentary in English on William Faulkner since the late 1980s.

This volume dedicates its sections to book-length studies of Faulkner, commentaries on individual novels and short works, criticism covering multiple works, biographical and bibliographical sources, and other materials such as book reviews, doctoral dissertations, and brief commentaries. This bibliography provides an organized and accessible list of all significant recent commentary on Faulkner, and the annotations direct readers to those materials of most interest to them. The information contained in this volume is beneficial for scholars and students of this author but also general readers of fiction who have a special interest in Faulkner.

  • Sales Rank: #5127974 in Books
  • Published on: 2009-05-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.87" h x 1.57" w x 6.06" l, 2.05 pounds
  • Binding: Hardcover
  • 602 pages

Review
John E. Bassett marks another bibliographic feat with his recent William Faulkner: An Annotated Bibliography of Criticism Since 1988….While text's main value, of course, lies in the bibliography, Bassett's foreward and introduction also survey critical trends and provide a succinct discussion of the best of almost twenty years of Faulkner criticism in just over ten pages. (Mississippi Quarterly, Summer-Fall 2009)

The volume is essential for reference libraries and for Faulkner scholarsssss (American Reference Books Annual)

The volume is essential for reference libraries and for Faulkner scholars (American Reference Books Annual)

About the Author
John E. Bassett is President of Clark University. He is the author of several books, including Sherwood Anderson: An American Career (2005) and Thomas Wolfe: An Annotated Bibliography of Criticism (Scarecrow, 1996).

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